Fredric Jameson and the No Wave Art Movement Essay Example for Free

Fredric Jameson and the No Wave Art Movement Essay In postmodern art, history is self-consciously reappropriated and re-fashioned into new forms. Postmodern art, Jameson argues, was a logical outcome of late-capitalism, which in its late stage has allowed society to abolish the distinction between high culture and mass culture, producing a culture of degradation. This was first taken up as an aesthetic by Andy Warhol. In the text, Postmodernism: Style and Subversion, 1970-1990, Adamson and Pavitt note that Jameson, â€Å"found Warhols glittering series Diamond Dust Shoes to be particularly unnerving because of its incorporation of ommodity culture† (70). Art, according to both Warhol and Jameson is above all, a commodity, something to be bought and sold. Warhols work illustrates Jamesons contention that, Aesthetic production today has become integrated into commodity production (4). This conflation of art and commodity creates a field of cultural production that is incapable of depth and valuable social critique. According to Jameson, the abstract aesthetic of modernism was an expression of the new social forms of abstraction specif ic to capitalism. In modernism, the universalization of the money-form manifests as a range of social abstractions including, for example, societys dominant way of seeing† and representing the world aesthetically. In the age of global capitalism, the utopian sublime of modernism, to which Jameson referred, has disappeared, and has been replaced by the postmodern cultural logic of consumption. With the universalization of capitalism, the distinction between culture and economics has collapsed. In postmodernism everything, including art and culture, is subject to the logic of commodif ication. In the text, The Cultural Turn, Jameson submits that postmodernity makes the cultural economic at the same time that it turns the economic into so many forms of culture (81). This essay submits that the No Wave art movement that occurred between 1974 – 1984 in New Yorks Lower East Side is indeed postmodern, by Jamesons standards, and yet resists this conflation of art and commodity that Jameson maintains is characteristic of this paradigm. Jamesons text, Postmodernism, suggests that with arts entry into the commodity sphere art becomes propelled not by ideas but by money (Adamson et. al, 70). John N. Duvall is critical of Jamesons linkage between culture and commodif ication in the postmodern context. Duvall writes in his text, Troping History, â€Å"It is precisely change that, for Jameson, can no longer be imagined in postmodernism, since aesthetic production has been subsumed by commodity production, thus emptying the modernist aesthetic of affect and hence of political effect† (4). Jamesons characterization of postmodern art as enveloped in commodif ication overlooks art produced during this period that consciously existed outside the margins of the art market and acted as a resistance to the conditions of a commodif ied artistic arena. As alluded to by Duvall in the previous quotation, Jameson does not account for the possibility of political art production in postmoderism. As Perry Anderson notes, by the positioning of the postmodern between aesthetics and economics, Jameson omits, a sense of culture as a battlefield, that divides protagonists. That is the plane of politics understood as a space in its own right (18). As Marvin J. Taylor describes, â€Å"Downtown artists were profoundly aware of the failure of modernist revolutions, but were unwilling to abandon the possibility of a better world† (22) 1. It is precisely this urge for a better world that Jameson contends is an impossibility in the context of late-capitalism, and absent from postmodern art production. To classify the No Wave Art Movement as postmodern requires a working definition of this cultural epoch. The postmodern paradigm is commonly associated with a range of aesthetic practices, involving irony, parody, self-consciousness, fragmentation, playful selfreflexivity and parataxis (Waugh, 325). Characterized largely by the qualities of appropriation and simulation many postmodern artists addressed mass media and commodif ication in their 1 The terms â€Å"No Wave† and â€Å"Downtown scene† are used synonymously in essays that describe movement. So too are these terms used interchangeably in this essay. work, including those artists in the No Wave Movement, specif ically Barabara Kruger, who came out of this movement and whom we look to specif ically at the end of this paper. As Glen Ward notes in his description of the chronology of postmodernism, â€Å"More complex ideas about postmodernism quickly infiltrated the art world. Next to painting, photography and media-based work regained the limelight in the mid-1980s by seeming to provide a more obviously political postmodernism† (41). Rather than being incorporated into the late-capitalist system some theorists argue that postmodern art is a response to capitalist corruption, voicing an opposition to the world of commodities rather than becoming entrenched in it. There is no shortage of theorists and critics who have characterized the No Wave Art movement within the postmodern paradigm. As Carlo Mccormick describes in his essay, A Crack in Time, which appears in The Downtown Book, â€Å" etween 1974 and 1984 in Downtown Manhattan occurred the true postmodern moment: a time when modernism was most certainly dead and, unmoored from its schematics, creativity was based on flux, uncertainty, and searching† (71). The No Wave Art movement can be characterized by several recurrent postmodern themes including notions of authenticity; the Downtown scen e questioned the function of terms like authorship, originality, appropriation and tied them to the transgressive practices of theft, piracy and plagiarism. The second recurrent theme explored in the No Wave scene included performativity; challenging notions of representation in an environment of fragmented and multiple identities. Thirdly, the No Wave art scene is inextricably linked to its politics. As Taylor describes, Downtown art was activist and aggressive. Work was informed by the feminist movement, queer activism, AIDs, and poverty in postwar United States. As an expression of these politics, the No Wave Movement sought to criticize notions of institutional accreditation. This included an exploration of power structures, including the role of education, technical skills and technique. In her description of the Downtown Scene Gumpbert writes, â€Å"What so many Downtown artists of this era did share is that they conceived their work as alternative, if not outright subversive, vis-a-vis traditional curatorial and exhibition practices. Incorrigibly and resolutely defiant, Downtown artists interrogated systems of accreditation, broke down generic disciplines, and directly engaged with political issues† (14). Artists of the No Wave Art scene engaged with the political issues that plagued New York City at the time. This signif ies a potent antithesis to Jamesons notion of postmodern art as vacuous and incapable of politicization. Taylor writes, â€Å"Suspicious of easy assimilation into the traditional Uptown art scene, Downtown artists mounted a full-scale assault on the structures of society that had led to grinding poverty, homelessness, the Vietnam War, nuclear power, misogyny, racism homophobia and a host of other social problems† (22). As an aesthetic movement the No Wave Art scene stood as a highly politicized rejection of the evolution of art as commodity. It was also a domain of extreme artistic production, â€Å"â€Å"From graffiti art to appropriation to Neo-Geo, virtually every major development in American art during that period seems to have originated in one or more of the mostly small, mostly storefront spaces that sprang up in the contested urban zones that characterized a neighbourhood in the early stages of transition from slum to middle-class playground† (Gumpert, 84). The scene existed actively outside the art market, residing largely in â€Å"informal alternative spaces† (Gumpert, 13). As an expression of an alternative antiestablishment attitude much of the work produced at this time took the form of graffiti art or performance art. According to Gumpert, â€Å"Artists, took to the streets in the late 1970s† (11). Notable artists of this time include, the graffiti works of Jean-Michel Basquiat, Keith Herrings works in the citys subway platforms and on sidewalks and Richard Hambleton, whose work appeared in poorly lit downtown alleys and construction sites (11). The No Wave movement was also composed of a subcultural punk scene, a host of postmodern writers and experimental filmmakers and video artists. Most famously perhaps was the Times Square Show, that took place in 1980 in an empty massage parlour, with works from more than a hundred artists. These examples demonstrate the desire of many of the artists in the No Wave art movement to â€Å"breakout of the framework of the established art world† (11). The work that is categorized as No Wave was characterized by a certain ephemerality, which allowed the artists and their works to resist the constraints of the commercial market. This offers a critique of Jamesons assumption that art produced in the postmodern paradigm is inextricably linked with an economic motivation. As Gumpert explains in the forward for the text, The Downtown Book: The New York Art Scene 1974 1984, A majority of the works [shown in these spaces] were process oriented and situationally specif ic, involving a relationship between materials, concepts, actions and locations. They were sometimes spontaneous, improvisational, open-ended, and often collaborative. The works existed within a given time and then ceased to exist. As a result much of this work was labeled ephemeral, the intent being to create an experience rather than a product, and new terms were devised to describe it, such as installation and performance During this period artists out of necessity created and took control of their own contexts (10) In order to preserve much of the ephemeral work produced between 1974 – 1984 in New York, it was archived and documented in photographs, notes, and films. Irving Sandler accounts for the motives behind documentation in the No Wave art scene, â€Å"[theyre] sympathies were countercultural, they believed that the documentation of a work was not art and thus not salable. They had turned to process art installation art, body art, and conceptual art because they did not want to create art commodities. Many also believed that their refusal to produce salable objects would subvert the art market† (24). This demonstrates a anti-market sentiment in the production of postmodern No Wave art. Jameson does not account for this type of art production in the theories that he forwards in his text, Postmodernism. Writing about the No Wave literature, Robert Siegle identif ies a central insurgency against established structures of culture that existed in New York at that time. He wrote, â€Å"It is, then, an insurgency, but not one that expects to break free of some kind of specif ic corrupt institution. It is an insurgency against the silence of institutions, the muteness of the ideology of form, the unspoken violence of normalization† (4). Siegle describes No Wave writing as quintessentially postmodern in its approach to the â€Å"silence of institutions† and to the â€Å"position of the speaking subject†. Rather than attempting to overthrow institutions, No Wave literature, according to Siegle, is premised on the attempt to understand how the discourse of institutions constructs who we are, thereby using that knowledge to problematize cultural discourse. Although in his text, Suburban Ambush: Downtown Writing and the Fiction of Insurgency, Siegle speaks specif ically of writing, this assessment applies equally to all artists in the No Wave scene. Through the deployment of the postmodern techniques that Jameson describes, artwork in the No Wave context, was far from the depthless commodity that Jameson imagined. It was rather highly political, productive and subversive. In his text, Postmodernism and Consumer Society, Jameson furthers his claims that in postmodernism expressive depth is replaced by an aesthetic superficiality in a phenomenon that he describes as â€Å"the waning of affect†. This â€Å"waning† is directly associated to a diminished political imagination. Jameson uses a comparison of the work of painter Edvard Munch and Andy Warhol to evidence this modern to postmodern shift. He contends that in postmodernism historical depth is replaced by nostalgia. Simultaneously, parody is replaced by pastiche, and an art of surface and loss is substituted for a history which â€Å"remains forever out of reach† (198). Jameson feels, â€Å"it is no longer clear what artists and writers of the present period are supposed to be doing† (196). This invoking of nostalgia and pastiche creates a condition in which artists can only comment upon or reproduce past art. This is articulated with Jamesons description of postmodern art practice as being characterized by â€Å"the failure of the new, the imprisonment in the past† (196). In, The Postmodern Turn, Kellner and Best describe Jamesons theory noting, â€Å"Coolness, blankness, and apathy become new moods for the decelerating, recessionary postmodern condition in an age of downsizing and diminishing expectations† (134). Jameson seems to articulate his own failings in his description of postmodern art. He admits that he is confounded by the postmodern and political work of Hans Haacke who questioned the institution and capitalism through his postmodern art installations. Of Hacke, Jameson writes, â€Å"The case of Haacke poses, however, a problem, for his is a kind of cultural production which is clearly postmodern and equally clearly political and oppositional – something that does not compute within the paradigm and does not seem to have been theoretically foreseen by it† (159). The No Wave art movement equally confounds Jamesons theory towards a postmodern art that is bound by a sense of complicity. Much critique has been garnered by Jamesons position on the art of the postmodern. Theorist Linda Hutcheon is critical of Jamesons positioning of pastiche as a baseless technique, But the looking to both the aesthetic and the historical past in postmodernist architecture is anything but what Jameson describes as pastiche, that is â€Å"the random cannibalization of all the styles of the past, the play of random stylistic allusion. † There is absolutely nothing random or â€Å"without principle† in the parodic recall and re-examination of the past To include irony and play is never necessarily to exclude seriousness of purpose in post-modernist art. To misunderstand this is to misunderstand the nature of much contemporary aesthetic production – even if it does make for neater theorizing. (26 -27) Downtown artists actively sought to address this issue of art production within a capitalist system. Their work is characterized by a postmodern multiplicity. In his essay on the Downtown scene, Siegle notes, Far from being defeated by contradictions, these postmoderns take form it the cue for an alternative logic. Far from being rendered hopeless by the seemingly inevitable drift of (inter)national politics, they borrow form disinformation the ironic habitation of familiar forms for cross-purposes. Far from being paralyzed by the anxiety of past masters influence, they appropriate them for commentary on classic motifs (such as mastery, originality, autonomy, representation) and art-world structures (such as publishing houses, galleries, museums, and criticism). Far from feeling compromised by the investment economics of art, they turn the art market into a microcosm of consumer capitalism and subvert its operations. 10) No Wave artists, though they invoked themes of capitalism, were in fact openly critical of it. They did not create art with the intention of financial gain. Taylor presents Bourdieus theory on cultural capital to elucidate the artistic practices of those in the No Wave art scene and their pursuit for symbolic capital rather than economic. He writes, â€Å"If the whole field of cultural production could be thought of as all those artists, poets, musicians, editors, publishers, critics, performers hen there could be subsets of this group who did not all conform to the desire for economic capital, but rather, and mostly because their work was experimental, sought â€Å"symbolic capital† from their peers† (31). Jameson argued that postmodernism marks the final and complete incorporation of culture into the commodity system. This integration The No Wave art scene, in fact, actively critiqued this condition. Though the No Wave Art movement occurred under the conditions of late-capitalism, the work produced during this period does not embody this notion of depthless commodity Jameson maintains is the primary characteristic of postmodern art. Barbara Kruger is an example of a No Wave artist whose work engages with themes of the media and the market while being simultaneously postmodern, anti-capitalist, and political. Krugers work, particularly her piece, Untitled, (When I hear the word culture I take out my cheque-book), serves as a response to the commodity culture postmodernism is so entrenched in. This work directly addresses Jamesons concern that postmodern art is incapable of an authentic engagement with politicization. Kruger evokes many postmodern themes in her work yet avoids the non-criticality of commodif ied art practice that Jameson forwards. Kruger invokes the postmodern technique of pastiche recombining previously articulated styles while actively producing new meanings through this act re-appropriation. For Jameson, â€Å"Pastiche is a recycling of the past without the critical edge of satire or the subversive role of parody; it is a gesture to the past in a mediasaturated culture that lives in a perpetual present† (Murphie, Potts, Macmillan, 58). Where Jameson forwarded the notion that pastiche was merely â€Å"blank parody† (184) Kruger enacts pastiche as a meaningful technique. As noted in Postmodernism: Style and Subversion 1970 – 1990, â€Å"She managed to break the conceptual barrier between art and mass media by selecting images from magazines from the 40s and 50s. Choosing them based on their poses and presenting phrases over them Stereotypes were thus turned into the vehicle for delivery of a totally different message† (368). Some of the postmodern themes deployed by Kruger include, the questioning of meta-narrative tructures, highlighting the decentred nature of contemporary culture, and the divorcing of sign and signif ier. In her work Kruger operates within the language and iconic system of consumer culture while offering a critique of those very conditions. As outlined in this essay Jamesons theory of the cultural logic of late-capitalism fails to identify the critical aspect that characterize d much of the work produced under the conditions of postmodernism. This is specif ically demonstrated through the work of No Wave artists operating out of New york in the 1970s and 80s. While invoking the aesthetic themes common to postmodernism the work produced in the No Wave scene was highly political and did not act as a static representation of commodif ied art culture. The work of Barbara Kruger specif ically dealt with the concern of art as existing in a commodif ied global economy rather than simply falling victim to it. It was in fact the movements shift towards commodity that marked the No Waves scenes decline. The year 1984 is signif icant to this movements trajectory. In his essay entitled, Playing the Field: The Downtown Scene and Cultural Production, An Introduction Marvin J. Taylor writes, â€Å"By 1984 the larger art world had encroached on the scene. That same year Mary Boone displayed and began to sell Basquiats paintings for up to $20, 000 The major art journals, galleries, and auction houses had co-opted the restricted field of Downtown art, creating superstars and an influx of economic capital that would eventually overtake the symbolic capital† (36). It was exactly this move into the realm of the market that ended the production of postmodern art within the Downtown scene. Postmodern artists active in the No Wave art movement Jamesons proposition that art made under postmodern conditions is incapable of exacting a political message. Works Cited: Adamson, Glenn, Jane Pavitt, and Paola Antonelli. Postmodernism: Style and Subversion, 1970-1990. London: VA Pub. , 2011. Bertens, Hans. The Idea of Postmodernism: A History. London: Routledge, 1995. Cameron, Dan. East Village USA. New York: New Museum of Contemporary Art, 2004. Duvall, John N. Productive Postmodernism: Consuming Histories and Cultural Studies. Albany: State University of New York, 2002. Hager, Steven. Art after Midnight: The East Village Scene. New York: St. Martins, 1986. Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction. New York: Routledge, 1988. Jameson, Fredric. Postmodernism, Or, The Cultural Logic of Late Capitalism. Durham: Duke UP, 1991. Jameson, Fredric. The Cultural Turn: Selected Writings on the Postmodern, 1983-1998. London: Verso, 1998. Kellner, Douglas, and Sean Homer. Fredric Jameson: A Critical Reader. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2004. Murphie, Andrew, and John Potts. Culture and Technology. New York: Palgrave Macmillan, 2003. Perry Anderson. The Origins of Postmodernity. London: Verso, 1998. Sandler, Irving. Art of the Postmodern Era: From the Late 1960s to the Early 1990s. New York: Icon Editions, 1996 Siegle, Robert. Suburban Ambush: Downtown Writing and the Fiction of Insurgency. Baltimore: Johns Hopkins University Press, 1989. Taylor, Marvin J. The Downtown Book: The New York Art Scene, 1974-1984. Princeton, NJ: Princeton UP, 2006. Ward, Glenn. Postmodernism. Chicago: Contemporary, 2003. Print. Wheale, Nigel. The Postmodern Arts: An Introductory Reader. London: Routledge, 1995.

Fraud Investigation Role Analysis

Fraud Investigation Role Analysis Discuss how your learning from the course can be applied to your current role within your organisation and how it may benefit both you and the effective investigation of fraud. The essay would critically review the learning undertaken in the course and how it is applicable to my existing role as an officer within the counter fraud and money laundering team in a law enforcing agency in Middle East. The emphasis is on the way that learning would be beneficial for myself and the organisation through increased effectiveness in conducting the fraud, with a specific reference to the principles of ethical investigation, attaining and investigative mindset, achieving a knowledge base with respect to the relevant legislation and procedure, considerations for the golden hour and the usefulness of decision-making process as well as recording of decisions. According to the Code of Practice to the Criminal Procedure and Investigations Act 1996 (CPIA), a criminal investigation is an investigation undertaken by police officers with an attempt to establish if a person should be charged with an offence, or if the individual charged is guilty of it. Ethics and ethical investigation is increasingly important when investigating money laundering. Devery (2010) argues that criminal investigations attract considerable attention and interest from the public, which is attributed to the coverage given by the media to criminal behaviour and the crime committed but also as a result of the effect that crime has on those affected, as well as the wider communities and individuals impacted. The media and societal interest has increased over time, as technological advancements and proliferation of social media has led to heightened interest from the general public (Goldsmith, 2015). This means that money laundering investigators have responsibility to ensure that they undertake the investigations in a professional and ethical manner, which would assist in developing and maintaining the public confidence. Therefore, there is a need to conduct an investigation with common sense whilst upholding integrity at all times and not engage in any discriminatory or disproportionate behaviour that could result in the risk of losing cooperation and support of the stakeholders involved. This is consistent with the conclusion of Verhage (2011) that an ethical and professional approach to investigation not only positively impacts the reputation of the organisation but the officer too, leading to a positive impact on the victim and the wider community. When investigating the money laundering activity, it is important that I maintain an investigative mindset. The mindset refers to the attitude or state of mind, which is adopted by the investigators and subsequently could be developed over time through the experience and expertise developed in a profession. It takes into consideration a range of principles that should be applied during investigation, which include gaining an understanding of the sources underlying the material uncovered, adequate planning and preparation, appropriate examination of the resources, collection and collation of records and evaluation of the information and investigation. In the context of money laundering investigations, whilst reviewing the various transactions and associated parties as well developing an assessment of the different transactions to discover potential money laundering, the investigative mindset would involve maintaining professional skepticism and applying judgment to the different transactions and their underlying rationale. The professional services firm Ernst Young states that in the anti-money laundering compliance investigation, the heightened level of judgment needed through the process becomes more pertinent, as it is only in a few situations that the investigation follows a straightforward procedure (Ernst Young, 2016). Therefore, an investigative mindset is critical because it allows money laundering investigator to ascertain the nature of transactions reviewed, utilizing the judgment to assess the direction that the research should undertake and the relevant parties/ stakeholders that need additional review. Maintenance of investigative mindset also enables the researcher to make the most of the scarce available organisational resources and consequently maximise the efficiency and effectiveness of the money laundering investigation procedure. An investigator should possess a detailed knowledge base in relation to the legislation and procedures that are relevant in their profession. This means that I need to have a detailed knowledge of anti-money laundering (AML) regulations that are applicable not only at the regional level in Gulf but also at the international level, given the presence of global financial institutions and corporations in the region. It would involve a comprehensive understanding of AML and combating terrorist financing (CTF) legal arrangements, as well as anti-money laundering framework applicable in the region. Besides a detailed understanding of the AML law in the region, as well as primary and secondary ML offences, I would also need a detailed understanding of the global regulations within ML. This is because the ML laws in Gulf in general are based on the OECD regulations, which would increase my winder understanding of the regulatory environment within money laundering and the potential changes to ML framework in the future. The importance of knowledge base in ML when operating in Gulf is evident from a recent survey conducted by professional services firm Pricewaterhouse Coopers (PwC), which concluded that over 20% of financial service firms have not engaged in AML and CTF risk assessment in the region (PwC, 2016). This increases the importance of possessing a detailed understanding of the relevant regulations and laws when working within the ML team in a law enforcing agency. Moreover, possessing the knowledge and understanding becomes even more critical in the contemporary highly dynamic environment, whereby increasingly sophisticated techniques adopted by those engaging in criminal (money laundering) activities requires greater judgment and professional skepticism on the part of ML investigators such as myself, which would come through possessing and continuously improving the relevant knowledge base with respect to the legislation and procedure. According to the College of Policing (2016), golden hour refers to the term for the period that is in the immediate aftermath of committing an offence. This is the time when the evidence and material is increasingly available to the investigatory team. This requires a proactive approach to maximising the ability to make the most of golden hour during the investigation, as a proactive approach and positive action during the golden hour minimises the chances that information or material would be lost or not utilised during the investigation. Furthermore, it also maximises the prospects that the material would be admissible in court and consequently facilitate in providing justice. The key objectives of golden hour that I would serve in my ML role includes securing evidence, identifying those affected by the potential money laundering activity, identifying the suspects involved in such activity and preserving the evidence/scene. PwC (2016) argue that golden hour and undertaking a suitable action requires immediate thinking whereby an investigator needs to take control of the situation. Attending the course has provided me an ability to visualize the scenario and potential situation that I could be faced with in the future and how I could respond more effectively in dealing with such a situation. For instance, I would take greater control of the situation through securing the relevant evidence, identification and allocation of the resources at my disposal. This exercise has also helped me to consider the different physical, technological, financial and human resources that I have at my disposal in the organisation, which would be useful when making the most of the golden hour considerations. As part of the golden hour considerations and in the context of ML investigations in general, the decision making process and the need to record the various decisions is critical. The essence of decision-making is with respect to deciding what needs to be done, deciding the way it should be done and finally rationalizing and recording the decisions. This is consistent with the National Decision Model (NDM) employed by College of Policing, which takes into consideration collection of information and relevant intelligence, assessment of potential threats and subsequent development of strategy to deal with the threats, consideration of power and policy options available, identifying and options and contingencies available and finally taking action as well as reviewing the past events. It is pertinent that Code of Ethics is complied with throughout the decision-making, which reinforces the importance of ethical investigation as discussed earlier in the essay. By undertaking appropriate decision and recording them appropriately, I would be maximising the prospects of successfully investigating the potential ML activity. This would also assist me considering the different available resources and ultimately utilise them including the different option choices to undertake the best course of action to resolve the ML situation. Recording the decision would keep a clear track of the decision-making, which would be useful if presenting to the senior management or other stakeholders (internal or external). In conclusion, the essay considered the range of topics covered during the course and their practical application in my workplace, as an officer within the counter fraud and money laundering team in a law enforcing agency in the Middle East. The course has greatly enhanced my knowledge when it comes to undertaking ethical investigation, keeping and maintaining an investigative mindset and the importance of gaining greater knowledge with respect to the legislations and procedures. Furthermore, heightened understanding of the golden hour considerations and decision-making process has meant that I am more confident and aware of the different relevant activities that I would need to undertake when investigating the money laundering activities in my organisation. References College of Policing (2016), Investigation process, available at:Â  https://www.app.college.police.uk/app-content/investigations/investigation-process/ (accessed: 21/2/2017) Devery, C. (2010). Criminal profiling and criminal investigation. Journal of Contemporary Criminal Justice, 26(4), 393-409. Ernst Young (2016), Anti-money laundering compliance, available at:Â  http://www.ey.com/Publication/vwLUAssets/ey-anti-money-laundering-compliance/$FILE/ey-anti-money-laundering-compliance.pdf (accessed: 21/2/2017) Goldsmith, A. (2015). Disgracebook policing: social media and the rise of police indiscretion. Policing and society, 25(3), 249-267. PwC (2016), Anti-money laundering, available at:Â  http://www.pwc.com/m1/en/publications/middle-east-economic-crime-survey/anti-money-laundering.html (accessed: 21/2/2017) Verhage, A. (2011). The anti money laundering complex and the compliance industry. Taylor Francis.

history of s. africa :: essays research papers fc

INTRODUCTION:   Ã‚  Ã‚  Ã‚  Ã‚   In this paper I will be talking about the history of South Africa and how it was segregated and how apartheid came about and give some acts that were used in order to segregate. I talk about the ANC and how the â€Å"white† government outlawed it. I will also show how the apartheid became a thing of the past and was accepted by the new government in order to make peace and bring unity. CREATION: The National Party went into power in 1948 to strengthen â€Å"white Supremacy†. The National Party made it obvious to the public that it identified this political, economic and social policy with the ideology of ‘apartheid’. They immediately made laws that gave apartheid a legislative reality, which could not be overturned easily. These laws separated whites and blacks and formed the theory that whites should be treated more favorably than blacks.   Ã‚  Ã‚  Ã‚  Ã‚  The Population Act of 1950 was the beginning for separating South Africa’s population into different races. There were only three different races and they were white, coloured and Bantu (black). This act helped pave the way for other acts that were strictly developed to separate whites and blacks. Listed below are just few of the acts:  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  The Group Area Act- mapped out areas that were â€Å"black free†  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Mixed Marriage Act- made it illegal for whites and blacks to marry  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  The Immorality Act- made it illegal for whites and blacks to have sexual relations  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Separate Representation of Voters Amendment Act- made it mandatory that their could only be white representatives when it came to politics The National Party gained a tremendous amount of support from the white electorate. The National Party, which has five-year terms, was re-elected in 1953 and in 1958, which promoted segregation more and more.   Ã‚  Ã‚  Ã‚  Ã‚  While this is going on, the African National Congress (ANC) is fighting for the rights of black people. They were having many boycotts, sit-ins and walking to work instead of having to pay for a ride. While demonstrating in front of a police station in 1960, police fired on demonstrators killing sixty-seven and injuring one hundred eighty-six. A peaceful march took place a while later with 30,000 joined, but led to the arrest of over 18,000 of them. Leaders of the ANC were also arrested, including Nelson Mandela.   Ã‚  Ã‚  Ã‚  Ã‚  Prohibited from operating peacefully in South Africa, the ANC established underground organizations in 1961 to continue their struggle with the government. The ANC bombed police stations and power plants, but was very careful not to take any lives.

To Make a Difference in the World :: Personal Narrative Essays

Racism - To Make a Difference Racism is a dark word; it is as black as the night, as black as the soul of those that harbor this hate. Yet, I want to talk about racism - not just in far away places, but here in the United States. Actually, I want everyone to talk about racism. Only by talking about it can we begin the process of overcoming past and present injustices. On my third day in South Africa, while walking down the street with my black female friend, several workers interrupted our conversation by calling out, "Hey, you're white and she's colored." In the United States, while walking down the street with white friends, I've had people stick their heads out of car windows to yell, "Stick with your own race." In South Africa, I spoke to white people who longed for the old days of apartheid when, for them, things were not so chaotic. In the United States, I spoke to a white man over the phone who, assuming I was white, tried to distinguish between the images that arise when black and white people talk about affirmative action by telling me to note the difference between "you and I discussing affirmative action and that black guy in California." In South Africa under apartheid, the lighter you were the better you were. Many in the U.S. and throughout the world still believe, to some extent, that lighter is better. I recently attended a black/brown conference on coalition building between the African-American and Latino communities and the question of discrimination within the Hispanic community arose. The questioners concern was how light dark discrimination would inhibit coalition building between the two communities. When I was a kid growing up in Columbia, South Carolina, I believed I would accomplish more in life if I were white. Most of the successful, stable families I knew were white. I believed whites had what they had because they were white. When achievement is seen as a purely a white domain, bad things happened to kids. As my barber told me over spring break, her teenaged niece stopped trying in school when the other kids accused her of "acting white." In South Africa, I often heard people ask, "why do I need to suffer for past injustices, I never committed?

Muslim Girls :: essays research papers

The central Bosnian village Dolina is located in a valley north of the Bosnian-Hercegovinian capital, Sarejevo. From a very early age Muslim girls are taught that their role as a female is to assist their mother with household chores and to serve the men. While her male siblings, who spend most of their time playing and walking around the village, are not expected to work around the house (Bringa 106). Muslim boys were given privileges because they were male. Muslim women usually did not leave the household for employment because they maintained the household agriculture, however they could sew and knit for other villagers. Women’s work mainly consisted of tending to the garden where they grew the vegetables for household consumption. The women also did the milking and the processing of cheese (Bringa 52-4). The busiest part of a Muslim woman’s day was in the morning when she did the cooking and the cleaning. A women’s daily routine, which includes social calls t o her neighbors, know as â€Å"coffee visits†, revolves around both her children and husband’s schedule. A woman was expected to be home whenever her husband was home (Bringa 87-8). The daily interaction between neighboring households occurs mainly through the women’s â€Å"coffee visits.† During the â€Å"coffee visits† the women are expected to uphold Muslim community values so as not to damage the reputation of their household (Bringa 91). Tone Bringa wrote: â€Å"as a wife a woman’s behavior was judged in relation to her behavior within the neighborhood and village, and in terms of her critical role as representative of the moral standing of her household on a daily basis†(105). Women determine and maintain the environment that exists within the household while the men are the providers of material substance (Bringa 86). The men spend most of their time working outside the village in nearby market towns or in the industrial suburb s of Sarajevo. Some of the most common jobs include bricklayer, welder, carpenter, electrician, car mechanic, warden, and lorry driver (Bringa 51). Fontana del Re is a poverty stricken neighborhood in Naples, Itlay. Just like in the Bosnian village of Dolina, the women of Fontana del Re, Naples tend to stay close to home while the men leave the area to find work. Life in Naples is focused on the mother. Thomas Belmonte wrote, the mother â€Å"is at the center because she controls and distributes the twin sources of human vitality, food and love† (89).

Kanyon Information Technology Solutions

Kanyon Information Technology Solutions deals with CRM and ERP software, IT Tier 1& 2 Support, Security Solution (network security and such) and ITIL consulting services. The target consumers for these services are the other business houses. In this case, the best approach would be contacting the prospects or target consumers directly through company representatives. The best way for the company is to have a zero level or one level distribution channel.Business organizations can be contacted in various ways. The concerned people from the target organizations read business magazines and journals, IT magazine and journals, visit various websites, trade shows, technology shows, events and exhibitions and many others.   These marketing avenues can be capitalized in order to advertise and market these products.Print Media:Print media being traditional way of advertising and marketing are still acceptable people finding it convenient to carry a magazine and read it in their free time. Th ere are numbers of business journals, news papers, IT journals and others which advertise IT and business products. Companies can identify their target consumer and their reading habits and advertise its products and solutions in the same.WebsiteThese products are targeted for businesses. It will be beneficial for the company to advertise these on different websites. When a prospect consumer will start looking for IT solutions, he is most likely to check search engines first. The company can advertise as well as can have its own website. The advertising cost in website will be less.Trade shows and other Events:This is other important way to contact target consumers. Trade shows offers an opportunity to demonstrate your products and solutions to the prospective clients. The IT and industry specific trade shows will allow Kanyon Information Technology Solutions to develop their advertising material and business plan according to the industry specific needs.Competitive Sales Force:Comp etitive sales for can be hired and trained for the product demonstrations and selling. The sales team can comprise of experienced people from the industry or competitors. They can have aggressive sales targets and proper support and facilities to meet these targets.Retailers:KITS can also appoint retailers for marketing of their services. These retailers may have expertise of selling IT products and solutions to the market place. They can be dealing with products and solutions of other IT companies as well. This will allow company to have a retailer with experience and consumer data base. The retailer may contact its existing customers and cross sell or up sell KITS products.Using Wholesaler:Use of wholesaler for the IT products will increase the cost of final product. Wholesaler will contact retailers to sell the products and solutions to the market place. The control of KITS over the retailers would be less. The products may face the problem of different pricing and offers from di fferent wholesalers and their retailers. The channel conflict will be higher and company will have lesser control. IT products are prone to fast changes. It is dangerous for the company to have its product in the form of inventory. Higher the numbers of members in the distribution channel higher will be the inventory time. This will increase the risk of getting products and solutions out dated and out of market place.Reference:Kitchen, P.J. (1994), â€Å"The Marketing Communication Revolution: A Leviathan Unveiled?†, Marketing Intelligence and Planning, 12(.2) 19-25.Kotler, Philip (2001) Marketing Management, New Jersey: Prentice-Hall Inc., 10th EditionLisa Hoecklin. (1995).Managing Cultural Differences: Strategies for Competitive Advantage. Wokingham:Addison-Wesley Publisher Ltd.Mà ¶ller, K. and Wilson, D. (1995), Business Marketing: An Interaction and Network Perspective. Kluwer Academic Publishers, Norwell.Shimp, T.E. (1997), Advertising, Promotion and Supplemental Aspect s of Integrated Marketing Communication, 4th ed. Fort Worth, Texas: The Dryden Press

Library Management System

Case study Computer Science Departmental Library By MERCY OKEOWO 08710007 FOR THE Award of Ordinary National Diploma In COMPUTER SCIENCE Of MOSHOOD ABIOLA POLYTECHNIC Abstracts Library management system is an aspect or branch of information management system that keeps the records of both the library users, books in the library and the activities that is going on in the library, activities like borrowing books and returning books. Information management in general is the collection and management of information from one or more source and distribution of the information to one or more audience.This sometimes involves those who a stake in or right to that information. Management means the organization of and control over the structure, processing, and delivery of information. In short information management entails organizing retrieving acquiring and maintaining information. It is closely related to and overlapping with the practice of data management. A good library manager must be a ble to take of the following activities in the library; †¢ Keep records of books in the library. †¢ Keep records of the library user. Keep track of books borrowed by any library user. †¢ Keep record of time a library user borrowed and return books. †¢ Do the following analysis after each day for decision making purpose ? Analysis of book borrowed by per day. ?Analysis of the type of book people requested for per day. ? Analysis of the author people read his/her book most per day. All the above analysis is needed due to the following reasons. ? To get the type of books people read most in the library to avoid congestion. To get the type of books from a particular author which people read most in the library so as to avoid congestion. INTRODUCTION Background to the study Information for the modern institution is a resource parallel in importance to land, and other factors of production. It is very vital and a prices less resources. For centuries, man has tried to c ollate, store, process and retrieve information and most importantly analysis of the data before distribute or communicate it by the available fast test mean.It follows, therefore that man has tried various ways and methods to record analyse and disseminate information in his attempts to proffer solution to low security of data, effective data communication, effective data analysis and lot more. Information therefore is data that have been processed into meaningful and usable form, and it contains knowledge that reduces uncertainly in particular situation and it is mostly useful in decision making. But unfortunately most people in this country do not have effective means of information management; the departmental library is a typical example of such.About The Old System Library is a place where books are kept are kept for student lecturers to come and read or borrow to their various home for reading, for the security of these books record of library user are needed to kept likewise record of available books in library are also needed to kept. The most important part of it is that the library attendant must keep record of who borrows and type of book some one borrowed along with the time in order to keep track of the book in library.For the improvement of library or updating of the library book, statistic or read and unread books are needed top kept so as to know which book to get more into the library, also to know which author the students or lecturer like to read their books and lot more. All the above activities are done manually; that is it involves someone writing down the name of the library users and list of books in the library, even to the extents of counting the number a book is read which can be in inaccurate which also exposes the book to risk of missing.The most disgusting thing is searching through the shelf for books to read which is done by manual library catalogue, this alone can discourage student from reading books in library where we have large number of books. Problem Statement and Motivation What motivated me to embark on this project is due to the following problem that is faced by the Computer Science Department Library. †¢ Searching through the library shelf for books to read will be boring and may not be encouraging. Searching through the record book to validate a library user may also be boring for the library keeper. †¢ Keeping tracks of borrowed books with the library user that borrowed it may not accurate which can lead to loss of books in the library. †¢ Conducting the analysis of books people read per day, analysis of author people read his/books per day may be difficult and inaccurate which affect the decision making of the library managers. †¢ Backing up of files or records may be very difficult because it can lead to repetitive task. Objective of the ResearchThe main objective of this research is to develop software (library Management Software) for the computer science department l ibrary which will be capable of managing the student information (library users) and the books in the library. The research is aimed at achieving the following objectives; †¢ To keep record of register student (library users). †¢ To improve the consistency of the information in the library. †¢ To improve the way analysis of books are conducted. †¢ To improve the security of information in the library. METHODOLOGY Information gatheringI gathered all the information above information by conducting an interview for the student (library user) and the library keeper. I chose to use java for developing the interfaces of the software and the database connectivity due to the following reasons; †¢ Java is platform independent programming language that can run on any type of operating system. †¢ Java is network programming language that can access over a network. †¢ Java is fast in execution. I have chose Microsoft Access Database for the database because of it flexibility and it easy access. Library Management System Case study Computer Science Departmental Library By MERCY OKEOWO 08710007 FOR THE Award of Ordinary National Diploma In COMPUTER SCIENCE Of MOSHOOD ABIOLA POLYTECHNIC Abstracts Library management system is an aspect or branch of information management system that keeps the records of both the library users, books in the library and the activities that is going on in the library, activities like borrowing books and returning books. Information management in general is the collection and management of information from one or more source and distribution of the information to one or more audience.This sometimes involves those who a stake in or right to that information. Management means the organization of and control over the structure, processing, and delivery of information. In short information management entails organizing retrieving acquiring and maintaining information. It is closely related to and overlapping with the practice of data management. A good library manager must be a ble to take of the following activities in the library; †¢ Keep records of books in the library. †¢ Keep records of the library user. Keep track of books borrowed by any library user. †¢ Keep record of time a library user borrowed and return books. †¢ Do the following analysis after each day for decision making purpose ? Analysis of book borrowed by per day. ?Analysis of the type of book people requested for per day. ? Analysis of the author people read his/her book most per day. All the above analysis is needed due to the following reasons. ? To get the type of books people read most in the library to avoid congestion. To get the type of books from a particular author which people read most in the library so as to avoid congestion. INTRODUCTION Background to the study Information for the modern institution is a resource parallel in importance to land, and other factors of production. It is very vital and a prices less resources. For centuries, man has tried to c ollate, store, process and retrieve information and most importantly analysis of the data before distribute or communicate it by the available fast test mean.It follows, therefore that man has tried various ways and methods to record analyse and disseminate information in his attempts to proffer solution to low security of data, effective data communication, effective data analysis and lot more. Information therefore is data that have been processed into meaningful and usable form, and it contains knowledge that reduces uncertainly in particular situation and it is mostly useful in decision making. But unfortunately most people in this country do not have effective means of information management; the departmental library is a typical example of such.About The Old System Library is a place where books are kept are kept for student lecturers to come and read or borrow to their various home for reading, for the security of these books record of library user are needed to kept likewise record of available books in library are also needed to kept. The most important part of it is that the library attendant must keep record of who borrows and type of book some one borrowed along with the time in order to keep track of the book in library.For the improvement of library or updating of the library book, statistic or read and unread books are needed top kept so as to know which book to get more into the library, also to know which author the students or lecturer like to read their books and lot more. All the above activities are done manually; that is it involves someone writing down the name of the library users and list of books in the library, even to the extents of counting the number a book is read which can be in inaccurate which also exposes the book to risk of missing.The most disgusting thing is searching through the shelf for books to read which is done by manual library catalogue, this alone can discourage student from reading books in library where we have large number of books. Problem Statement and Motivation What motivated me to embark on this project is due to the following problem that is faced by the Computer Science Department Library. †¢ Searching through the library shelf for books to read will be boring and may not be encouraging. Searching through the record book to validate a library user may also be boring for the library keeper. †¢ Keeping tracks of borrowed books with the library user that borrowed it may not accurate which can lead to loss of books in the library. †¢ Conducting the analysis of books people read per day, analysis of author people read his/books per day may be difficult and inaccurate which affect the decision making of the library managers. †¢ Backing up of files or records may be very difficult because it can lead to repetitive task. Objective of the ResearchThe main objective of this research is to develop software (library Management Software) for the computer science department l ibrary which will be capable of managing the student information (library users) and the books in the library. The research is aimed at achieving the following objectives; †¢ To keep record of register student (library users). †¢ To improve the consistency of the information in the library. †¢ To improve the way analysis of books are conducted. †¢ To improve the security of information in the library. METHODOLOGY Information gatheringI gathered all the information above information by conducting an interview for the student (library user) and the library keeper. I chose to use java for developing the interfaces of the software and the database connectivity due to the following reasons; †¢ Java is platform independent programming language that can run on any type of operating system. †¢ Java is network programming language that can access over a network. †¢ Java is fast in execution. I have chose Microsoft Access Database for the database because of it flexibility and it easy access.